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172 search results for graphic artist

Gallerist Pat Feheley on 50 Years of Nurturing Inuit Artists
This year’s Order of Canada recipient on the artist relationships she spent her life developing.
https://www.inuitartfoundation.org/iaq-online/gallerist-pat-feheley-on-50-years-of-nurturing-inuit-artists
Gallerist Pat Feheley on 50 Years of Nurturing Inuit Artists, on graphic work from Kinngait; but in recent years the artists that you're featuring have completely, working collaboratively with Inuit artists has made all the difference. Britt Gallpen, Editorial, communities, having conversations with artists and makers, having a commitment to bringing artists down, Reproduced with Permission Dorset Fine Arts © the Artist BG: What were the first public, through her drawings together. That was the first show where I actually was interviewing the artist
Dayle Kubluitok’s Digital Illustration Practice
Building a space for Inuit within popular culture and mainstream news.
https://www.inuitartfoundation.org/iaq-online/dayle-kubluitok-s-digital-illustration-practise
Corners (2019) Digital illustration COURTESY THE ARTIST This responsiveness to their community, and graphic novels,” they say. “Maybe some animations—we’ll see.” This Profile was made possible through support from the RBC Foundation’s Emerging Artists Project. This Profile originally appeared
Revisiting Annie Pootoogook
We explore the lesser-known currents of Pootoogook’s oeuvre, providing a new way to look at the profound impact of her work.
https://www.inuitartfoundation.org/iaq-online/revisiting-annie-pootoogook-spirit-self-stories
of celebrated graphic artist Annie Pootoogook (1969–­2016). What have been arguably less considered, however, to again and again by the artist over her brief but prolific career. Annie Pootoogook, Fish, . They felt that the work wasn’t a strong example of that artist’s particular practice, which is a common, of universal agreement. Few artists have garnered the amount of attention in the Canadian media that Pootoogook secured; no other contemporary artist’s personal life has received the scrutiny that hers
Maureen Gruben
“The smell of moose hide is a very warm, inviting smell. As an Indigenous person, it brings you home [from] wherever you are as there is this connection to the land and the smell of smoke and hide; it’s a very familiar smell.”
https://www.inuitartfoundation.org/iaq-online/profile-maureen-gruben
sensorial experiences of it–smell, touch and feeling–is a powerful theme in the work of Inuvialuk artist, from the community and are often mixed by the artist with manufactured materials such as bubble wrap, pass, the graphic quality of Stitching My Landscape appears almost violent, with the shock, , the imagery is deeply rooted in personal memory, family and community. The artist recalls watching, , the artist also works with bones, teeth and organs such as beluga intestine. In Consumed (2017
Kinngait Rewind
To celebrate the 60 years of printmaking in the Kinngait (Cape Dorset) community, IAF staff share their decade-specific picks.
https://www.inuitartfoundation.org/iaq-online/kinngait-rewind-6-iaf-staff-pick-favourite-prints
Pootoogook’s (1935–2010) skill as a graphic artist and interest in Arctic wildlife is well, dark blue to azure, bringing us viscerally along for the ride on this crisp summer day. The artist, concept, realized in a limited palette, confidently marked and beautifully rendered. Here, the artist, groundbreaking photography than his graphic work, Peter Pitseolak’s (1902–1973) posthumously released Two Girls
11 Inuit Designers to see at the Indigenous Fashion Arts Festival
Catch Inuit talent at the marketplace and on the runways.
https://www.inuitartfoundation.org/iaq-online/11-inuit-designers-to-see-at-the-indigenous-fashion-arts-festival
: Arctic Luxe Permafrost Collection (2022) © the artist Arctic Luxe Inupiaq fashion artist, line © the artist Bibi Chemnitz Born in Nuuk and raised all over Greenland, the Greenlandic, © the artist Inuk360 Inuk360 (Brendalynn Trennert) is an Inuvialuit Master caribou hair tufter, Fish Tail and Signature Studs - Ocean Love earrings (2022) © the artist Erica Lugt Erica Lugt is a jewellery artist from Tuktuyaaqtuuq (Tuktoyaktuk), Inuvialuit Settlement Region, NT, whose
9 Inuit- and Sámi-Directed Films to Catch at imagineNATIVE
Inuit and Sámi filmmakers bring Arctic life to the screen at Indigenous film and media arts fest.
https://www.inuitartfoundation.org/iaq-online/9-inuit-and-sami-directed-films-to-catch-at-imaginenative
creation stories that the Iglulik (Igloolik), NU, artist is well known for depicting in her graphic art, Siku Allooloo Spirit Emulsion (2022) (trailer) © the artist Screening: In person October 19, Spirit Emulsion, an experimental short film by Inuk and Haitian Taíno writer, artist and poet, (2022) (trailer) Courtesy Mongrel Media © the artist Screening: October 23 at 3:15 pm Director, the inaugural imagineNATIVE artist-in-residence from 2017 to 2018. ŠAAMŠIǨ – Great Grandmother’s Hat
Back Issues
https://www.inuitartfoundation.org/inuit-art-quarterly/back-issues
Artist Portal What's New Artist Connect Professional Development Find Funding FAQ Donate Subscribe Log Out Search Artists, dedicated to circumpolar Indigenous art and artists. Widely considered one of the most significant voices, artists, writers and curators. Explore over 35 years worth of issues that offer engaging profiles, In this Issue FEATURE In Vivid Colour by Kale Sheppard Artists Who Transcend Cultural Borders
Event
https://www.inuitartfoundation.org/calendar/event
Artist Portal What's New Artist Connect Professional Development Find Funding FAQ Donate Subscribe Log Out Search Artists, Ilisarniq Workshop: Tax Tips for Artists Online - Zoom Read More, March Inuit Artist Meet and Greet (Inuit only) Online - Zoom Read More, Until 30.01 2024 Qiaqsutuq at Nocturne: Artist & Curator Talk
7 Awesome Avian Artworks in Inuit Art
This one is strictly for the birds
https://www.inuitartfoundation.org/iaq-online/7-awesome-avian-artworks-in-inuit-art
graphic works, expertly encapsulating their movement and energy in busy but harmonious compositions, Art Gallery At over 40 cm high—an unusually tall sculpture for the artist—this mythological bird, (1982) Lithograph 45.7 x 58.4 cm Reproduced with permission Dorset Fine Arts © The Artist