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All the Inuit Art Events You Need to Know About in 2021
Editor’s picks for the year ahead.
https://www.inuitartfoundation.org/iaq-online/all-the-inuit-art-events-you-need-to-know-about-in-2021
Territory, Canada, 64°03’ N, 139°27’ W Courtesy the Artist HELLOLAND! Art, War and the Wireless, , Qavavau Manumie and other works from contemporary artists, alongside historical paintings, archival, Shuvinai Ashoona: DrawingsMay 7th - November 21st Institute of Contemporary Art, Miami, Florida Graphic artist Shuvinai Ashoona will be featured in a major solo show at ICA Miami this coming spring, on the heels of several major achievements for the artist in recent years including Shuvinai Ashoona
The Intertwined History Of Politics And Art in Nunatsiavut
Yet in spite of the lack of an enduring arts industry, a cooperative system, institutional support or scholarly interest, Nunatsiavut continues to produce such exceptional artists as Michael Massie, John Terriak and Heather Campbell.
https://www.inuitartfoundation.org/iaq-online/28-3-4-politics-and-art-in-nunatsiavut
such exceptional artists as metal smith Michael Massie, stone sculptor John Terriak, and graphic artist Heather Campbell. Despite the broader recognition of the talent and skill of many individual artists and craftspeople from our territory, on the whole our Inuit artists have not yet gained acknowledgment, elsewhere throughout the Canadian Arctic. Labrador Inuit artists were unfortunately omitted from, recognition as Inuit artists, in the 1970s and 80s, Nunatsiavummiut had to find their own ways
The Object Truth: Jamasee Pitseolak’s World of Stone
A stone collagist carefully refiguring the expectations of Inuit sculpture.
https://www.inuitartfoundation.org/iaq-online/the-object-truth-jamasee-pitseolak-s-world-of-stone
), was a carver and musician; and his paternal grandfather was the renowned photographer and graphic artist Peter, With an eye for meticulous and witty assemblage, this Kinngait artist reconfigures the popular, triumph for him, and in 2013 he was one of a small group of Inuit artists included in Sakahàn, in a way that is historically unprecedented among Inuit artists. (I would argue as well, whimsy or matter-of-fact, many carvings carry deeply personal meanings from the artist’s past
7 Works of Fatherly Love
From hunting to playing and everything in between.
https://www.inuitartfoundation.org/iaq-online/7-works-of-fatherly-love
, as in this graphic piece by Jessie Oonark. While Inuit artists often depict mothers playing, More rarely encountered than portraits of mothers and children, but no less important a relationship, the bond between fathers and their children is seldom portrayed by Inuit artists. When they do depict fathers and children though, the artists show off relationships based on action and learning, to walk? Or is the artist commenting instead on the many ways fathers hold their children up
Indigenous Art on a Global Stage
What are the implications in having Isuma, a community-based, principally Inuktitut language video art collective based in Iglulik, NU, represent Canada at arguably the world’s most visible and scrutinized international art event?
https://www.inuitartfoundation.org/iaq-online/vantage-point-indigenous-art-on-a-global-stage
graphic artist Kananginak Pootoogook (1935-2010) was included in the Arsenale venue group exhibition, that this international platform has had on the lives and careers of other Indigenous artists. And, what, of the Giardini prior to Isuma, while other notable Canadian Indigenous artists and collaborative projects, /Saulteaux performance artist Lori Blondeau and Mohawk photographer and filmmaker Shelley Niro. The project stemmed from Mithlo’s longstanding and dedicated efforts to exhibit Indigenous artists
5 Friendly Inuit Artworks to Send to Your BFF
Artworks that celebrate friendship, kindness and connection.
https://www.inuitartfoundation.org/iaq-online/5-friendly-inuit-artworks-to-send-to-your-bff
media COURTESY THE ARTIST The process Nunatsiavummiuk artist Chantal Jung goes through to create, and pleasure that comes from friendship in this bold graphic woodcut print. A pair of seals get on swimmingly
Gabriel Nuraki Koperqualuk
Multidisciplinary artist and filmmaker Gabriel Nuraki Koperqualuk has spent his career connecting to his Nunavimmiut identity while living and producing art in an urban centre.
https://www.inuitartfoundation.org/iaq-online/circumpolar-cinema-gabriel-nuraki-koperqualuk
Multidisciplinary artist and filmmaker Gabriel Nuraki Koperqualuk has spent his career connecting, as an emerging “fifth region” of Inuit Nunangat. The film focuses on the lives and careers of artist Niap, with and interview artists, musicians and politicians that have since influenced his own practice, photographs of the Arctic, the artist sees his work as a contemporary nod to the adaptability of traditional, COURTESY THE ARTIST Emily Henderson: Can you tell me a bit about your process in making
Exhibition Review: ᐆᒻᒪᖁᑎᒃ uummaqutik: essence of life
A review of the reimagined Inuit galleries at the MMFA.
https://www.inuitartfoundation.org/iaq-online/exhibition-review-ᐆᒻᒪᖁᑎᒃ-uummaqutik-essence-of-life
ᐆᒻᒪᖁᑎᒃ uummaqutik: essence of life, curated by guest curator and artist asinnajaq, opened, , subjects and the vast geography represented by the many artists included, who are from all four Inuit, with ironworks artist Étienne Guay, it takes up a large section of floor space with bold colours, faded pink graphic work commissioned by Thomassie Mangiok for the exhibition space, which hangs along, . As an Iqaluit, NU, resident, I was happy to see multiple works by Ennutsiak (1896–1967), an artist who
Jessie Oonark
Years after her death, 27 of Jessie Oonark’s pristine drawings were discovered in a manila envelope in a basement. Athough already a celebrated artist, these lost drawings confirmed Oonark’s vitality and confidence as an artist.
https://www.inuitartfoundation.org/iaq-online/30-3-flashback-jessie-oonark
on coloured card stock, the work of the Qamani’tuaq (Baker Lake), NU, artist Jessie Oonark, OC, RCA (1906–1985), drawings made with coloured pens when the artist was in her prime, in the late 1960s, (WAG). Oonark was also den mother—both literally and figuratively—to a whole generation of artists in her adopted hometown. (Eight of her children would become artists, and her work would lay, of Canadian Arctic Producers, was irrefutable evidence of Oonark’s artistic mastery, expressed
Accessing Ancestral Ways Of Being, Knowing And Creating Through Art
Melodie Sammurtok-Lavallée reflects on Inuit identity, history and aesthetics through the process of creating.
https://www.inuitartfoundation.org/iaq-online/accessing-ancestral-ways-of-being-knowing-and-creating-through-art
artist Ivory Comb (c. 1915 or earlier) Ivory 2.9 X 7.2 X 0.1 cm Courtesy Canadian Museum of History IV-C-1035, D2005-00016 R: Unidentified artist Whale Tail Comb (c. 800–1850) Walrus ivory 5.3 X, combs she found online and added her own artistic details to make the paintings reflect her, combs Courtesy the artist The Winnipeg Art Gallery-Qaumajuq, the Manitoba-based museum that houses, is not unique to me. Jessie Oonark, OC, RCA (1906–1985) is a world-renowned artist whose artwork is highly