Tivi Etok

Tivi Etok

Biography

Tivi Etok is a printmaker and graphic artist. Born in Qirnituartuq, Nunavik, QC, Etok’s family was relocated to the nearby Kangiqsulujjuaq, QC, in 1959 [1], where he still lives and works today as an Elder in his community.

Etok began drawing at a young age, using sticks on stretches of sand wherever he happened to be [2]. In 1972, the George River Cooperative chose him to attend a seven-week workshop in Puvirnituq (Povungnituk), where he learned printmaking techniques for the first time [3]. Upon his return to Kangiqsulujjuaq, Etok established a printshop out of one of the Co-op’s buildings and began making stonecuts with the help of his son-in-law, Peter Morgan, importing stone from the south for matrixes [4].

Etok’s works are shaped by a fight for survival. Personal brushes with illness and starvation as well as supernatural monsters from nearby spiritual fonts like the Tuurngait (Torngat) Mountains and the Navvaaq Fjord are some of the subjects of his compelling prints [5]. In Another Story About Ekeagualuk, Etok revisits the legend of a father and his sons who have come to fight a sea monster. The spear, mid-plunge into the breast of the sprawled Ekeagualuk, shows the action of the hunt, while the expression of pain on the spirit’s face and of concentration on the man emotes in characteristic Etok fashion. Etok’s determination to keep old stories and ways of life alive for future generations means that many of his prints feature extended text illuminating the cultural history of what he has depicted. His private print chop displays his own history, the ulu of his mother under the bird darts he fashioned as a child [6].

Etok is well known as the first Inuk printmaker to have a solo print collection released. This first collection, Whispering in my ears and mingling with my dreams (1975), travelled nationally and internationally and made Etok the focus of solo shows in Montreal and Boston during its first year in print. In addition to enjoying countless exhibitions and solo shows, Etok has been the subject of extensive scholarship. A trilingual biography, The World of Tivi Etok, was published in 2008. Etok’s artworks are held in major public collections across North America, such as the Royal Ontario Museum, the Metropolitan Museum of Art, and the Canadian Museum of History. He became a member of the Ordre des arts et des lettres du Québec in 2022.



This project is funded in part by the Government of Canada.
Ce projet est financé en partie par le gouvernement du Canada.

Tivi Etok est un graveur et graphiste basé à Kangiqsulujjuaq, au Nunavik, au Québec. Il a commencé à faire de la gravure lorsque sa communauté l’a désigné pour participer à un atelier de gravure à Puvirnituq, au Québec, en 1972. En 1975, Etok a publié la première collection d’estampes solo d’un artiste inuit, « Chuchotant à mes oreilles et se mêlant à mes rêves ». Influencé par les légendes et les modes de vie traditionnels et, dans une moindre mesure, par lui-même, les estampes d’Etok sont rapidement devenues l’objet d’une intense recherche et de multiples expositions, notamment des expositions individuelles à Boston (1975), Montréal (1976) et Halifax (1968). En 2008, la biographie trilingue d’Etok, Le monde de Tivi Etok : la vie et l'art d'un aîné inuit, a été publiée.
ᑎᕕ ᐃᑐᒃ ᑎᑎᖅᑐᒐᖅᑎ ᐊᖅᒪᓗ ᑎᑎᕋᐅᔭᖅᑎ ᐃᓂᖃᖅᑐᖅ ᑲᖏᖅᓱᐊᓗᒃᔪᐊᖅ, ᓄᓇᕕᒃ, ᑯᐸᐃᒃ. ᐱᒋᐊᓚᐅᖅᓯᒪᔪᖅ ᑎᑎᖅᑐᒐᖃᑦᑕᖅᖢᓂ ᓄᓇᖓᓂ ᓂᕈᐊᖅᑕᐅᖕᒪᑕ ᐃᓚᐅᖁᔭᐅᓪᓗᓕ ᑎᑎᖅᑐᒐᕆᐅᖅᓴᓂᕐᒥᒃ ᐃᓕᓐᓂᐊᕐᓗᑎᒃ ᐳᕕᖕᓂᖅᑐᖅ, ᑯᐸᐃᒃ, ᑕᐃᑲᓂ 1972. ᑕᐃᑲᓂ 1975, ᐃᑐᒃ ᐱᒋᐊᖅᑎᑦᑎᓚᐅᖅᑐᖅ ᐃᓄᑑᓪᓗᓂ ᑎᑎᖅᑐᒐᖅᓯᒪᔭᒥᓂᒃ ᓴᕿᔮᖅᑎᑦᑎᓪᓗᓂ ᐃᓅᓪᓗᓂ ᓴᓇᖑᐊᖅᑎᐅᓪᓗᓂ, “ᐃᓯᔾᔪᒃᓗᑎᑦ ᓯᐅᑎᓐᓄᑦ ᐊᒻᒪᓗ ᐃᓚᓕᐅᑎᓗᒋᑦ ᓯᓐᓇᒃᑐᐊᓐᓄᑦ.” ᑲᔪᖏᖅᓴᐅᑖ ᐃᒻᒪᑲᓪᓚᖕᓂᑕᕐᓂᒃ ᐊᒻᒪᓗ ᐃᓄᐃᑦ ᐱᐅᓯᑐᖃᖏᓐᓂᒃ ᐃᓅᓯᖏᓐᓂ ᐊᒻᒪᓗ ᐃᒻᒥᓂᖕ ᓴᕿᔮᖅᑎᓗᐊᕋᓂ, ᐃᑐᒃ ᑎᑎᖅᑐᒐᖅᑕᖏᑦ ᐱᓕᕆᖑᐊᓯᒪᔪᑦ ᑕᒪᕐᒥᒃ ᐃᓕᓐᓂᐊᕈᑕᐅᓗᑎᒃ ᐊᒻᒪᓗ ᓇᒥᑐᐃᓐᓇᖅ ᓴᕿᔮᖅᑎᑕᐅᖃᑦᑕᕐᓗᑎᒃ, ᐃᓚᒋᔭᐅᓪᓗᓂ ᐃᓄᑑᓪᓗᓂ ᓴᕿᔮᖅᑎᑕᖏᑦ ᐸᔅᑕᓐ (1975), ᒪᓐᑐᐊᕆᐊ (1976) ᐊᒻᒪᓗ ᕼᐋᓕᕙᒃᔅ (1968). ᑕᐃᑲᓂ 2008, ᐃᑐᒃ ᐱᖓᓱᓂᒃ ᐅᖃᐅᓯᕐᓂᒃ ᐊᔪᖏᑦᑐᖅ ᑖᔅᓱᒥᖓ ᐅᓂᒃᑳᖅᓯᒪᔪᓂ, “ᓯᓚᕐᔪᐊᖓ ᑎᕕ ᐃᑐᒃ: ᐃᓅᓯᖓ ᐊᒻᒪᓗ ᓴᓇᖕᖑᐊᖅᑕᖏᑦ ᐃᓄᒃ ᐃᓐᓇᑐᖃᖅ, ᓴᕿᑎᑕᐅᓚᐅᖅᑐᖅ.

Artist Work

About Tivi Etok

Medium:

Graphic Arts, Sculpture

Artistic Community:

Kangiqsualujjuaq, Nunavik, Inuit Nunangat

Date of Birth:

Artists may have multiple birth years listed as a result of when and where they were born. For example, an artist born in the early twentieth century in a camp outside of a community centre may not know/have known their exact date of birth and identified different years.

Qirnituartuq, Nunavik, QC
October 3rd, 1928