Unseen currents connect us all.

Or just the kid in you.

The Inuit art of your dreams, available by stream.

Heather Igloliorte profiles this multidisciplinary star on the rise.

What happened to Inuit art over the last decade?

At the 58th edition of the Venice Biennale, Isuma represented Canada—the first time Inuit artists have done so in the history of the national pavilion. Reneltta Arluk reviews the installation.

Aleksei Vakhrushev’s new film The Book of the Sea is a hybrid documentary that blends the traditional harvesting practices of contemporary Chukotkan whale hunters with the claymation story of “the woman who gave birth to a whale”.

IAQ Contributing Editor Napatsi Folger speaks with Lindsay McIntyre about her film project Bloodline, which will be on display at Art Toronto, discussing the origins of the project and from whence McIntyre’s artistic practice derives.

Reflecting on a trip North in the early 1990s, a curator and writer delves into Isuma’s legacy, their presentation of time and what the collective’s work means for us all.

Blackfoot and Sámi writer, director, producer and actor Elle-Máijá Tailfeathers’ 2014 film tells the story of her parent’s activism as well as the legacies of intergenerational and familial trauma through their radical, rebel love.

Iglulik-based collectives Isuma and Arnait Video Productions harness the power of film to retain, recall and preserve collective memory, significantly contributing to the revitalization of culture and language.

Multidisciplinary artist and filmmaker Gabriel Nuraki Koperqualuk has spent his career connecting to his Nunavimmiut identity while living and producing art in an urban centre.

While much of Hansen’s work is made with a Greenlandic audience in mind, her experimental shorts and horror features have garnered just as much attention from international viewers.

From intimate family dramas to a steam punk, alt-historical epic, Iñupiaq filmmaker Katie Doane Avery’s category-defying stories continue to challenge the stereotypical tropes that often pervade narrative filmmaking.

Films have been an integral part of Mosha Folger’s life since he can remember. From documentaries to music videos, the director captures the numerous social, economic and political issues facing those living throughout the Arctic.

Animator, filmmaker and visual artist Glenn Gear explores his identity as an urban Inuk with ancestral ties to Nunatsiavut by working with film and installations to capture the liminal space between natural and built environments.

Containing never before seen recordings, interviews, documentation and over 20 years of raw footage, what questions are raised after visiting the archive of Igloolik Isuma Productions housed at the National Gallery of Canada?

What are the implications in having Isuma, a community-based, principally Inuktitut language video art collective based in Iglulik, NU, represent Canada at arguably the world’s most visible and scrutinized international art event?

The IAQ takes you behind the scenes of the 58th Venice Biennale with a first look at Isuma’s installation at the Canada Pavilion, the first time Inuit artists have exhibited as part of the national pavilion.

From experimental shorts and animations to inspiring feature length productions, we have rounded up our must-see film and video works by creators across Inuit Nunangat on view during the course of the 58th Venice Biennale.

On the cusp of the 58th Venice Biennale and on the occasion of a recently renovated Canada Pavilion, we take a look at the history of the international exhibition, Canada’s national pavilion and what these platforms mean for us today.

Alongside the landmark exhibition by Isuma, lead by Zacharias Kunuk, OC and Norman Cohn, at the Canada Pavilion, the Inuit Art Quarterly editorial team has rounded-up their must-sees for the 58th Venice Biennale opening this week.

A retrospective on the magical work of Lukie Airut, a master carver from Iglulik, NU, whose sculptures echo his deep familiarity with his land and the animals that live there.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

The seal hunt is a delicate subject for Newfoundland and Labradorians. Alethea Arnaquq-Baril’s Angry Inuk takes on anti-sealing narratives to examine what the hunt represents for Canada’s Inuit.