How the Kinngait artist switched to graphic art and found success.

For Halloween, IAQ staff reflect on haunting works by five circumpolar Indigenous artists.

From exhibitor booths to panel talks to the Focus exhibition—Inuit art has a powerful presence at this year’s fair.

From black and dark blues to bright yellows and pinks—how has colour use changed over time at Kinngait Studios?

A look at the importance of art festivals for artists and communities.

IAQ Assistant Editor Tiffany Raddi reflects on visiting the When Is Future? When Is Now? exhibition.

IAQ staff reflect on their favourite aspects of summer across the North through works by five circumpolar Indigenous artists.

IAF Artist Services Manager Amy Norman reflects on her experience going to and performing at the Happy Valley-Goose Bay Pride festival.

A look at works by Nunavummiut from across the Kitikmeot, Kivalliq and Qikiqtaaluk regions.

Taqralik Partridge and Heather Igloliorte discuss the situation facing Inuit curators at Canadian institutions today.

The crew behind the Iqaluit children’s show didn’t realize how popular their puppet star was—until he disappeared.

For nearly 50 years, one small publication has preserved local/regional Inuit stories, language and culture.

A look at five Pride-inspired beaded works by circumpolar Indigenous artists.

Celebrating the enduring legacy of women’s collective Arnaqarvik and their natural dye experiments.

A look at Inuvialuit artists who work with various media in their artistic practices

How artists like Marlene Neilsen are rebuilding traditional skills and passing on their knowledge.

A look at Inuvialuit artists working in the performing arts and fashion design

A look at Inuvialuit artists working in sculpture and jewellery

A look at Inuvialuit artists working in painting, drawing and printmaking

Kira Lennert Olsen visits the Venice Biennale and reflects on what it means for a Kalaaleq artist to exhibit in the Danish Pavilion.

The National Gallery of Canada (NGC) in Ottawa, ON, has made history by having the most Inuit-staffed department of a gallery in Southern Canada.

With exciting exhibitions, widespread installations and a surplus of festivals to follow, you won’t want to miss the events coming this year.

Artists' year-end reflections and their hopes for the new year.

Beyond the rousing musical and theatrical performances, the inspiring political messages behind the Inuit Circumpolar Jam 1983 still resonate today.

Content from creators like Lucy Tulugarjuk, Tarralik Duffy and Megan Kyak-Monteith populates the programming at this year’s festival.

How the ease and individuality of this medium is helping a new generation of Inuit artists make their mark.

A photo essay that offers a glimpse into the world of the sculptor and his iconic Gjoa-Haven style.

An insider’s look at the history of how Inuit document their homes, dwellings and studios.

New films from Inuit Nunangat to Sápmi debut to international audiences

How northern Indigenous artists are using site-specific projects as an act of reclamation.

How northern Indigenous artists are using site-specific projects as an act of reclamation.

50 years since its advent in the Bronx, circumpolar Indigenous artists continue to expand hip-hop as a storytelling practice.

A broad, circumpolar art history informed by interpersonal connections from Alaska to Sápmi.

Bronwyn Szabo journeys through comedy, horror and intersectional feminism to find out why mentors are a necessity when making movies.

Colleagues and peers reflect on the significance of the Kenojuak Ashevak Memorial Award finalist’s drawings, prints and her distinct and playful storytelling.

Looking back at the early development and achievements of an award-winning, all-female Igloolik film collective.

Colleagues and peers discuss the Kenojuak Ashevak Memorial Award finalist’s deep relationship to land, community and her materials.

Colleagues and peers on the Kenojuak Ashevak Memorial Award finalist’s humour, care and boundary-breaking.

Colleagues and peers discuss the Kenojuak Ashevak Memorial Award finalist’s layered practice, graphic style and joyful presence.

Colleagues and peers reflect on the significance of the Kenojuak Ashevak Memorial Award finalist’s sculpture, activism and care for the natural world.

Inuk musician and artist writes to Opera de Saint-Étienne about appropriation of Inuit culture and copyright infringement in their recent show La Nonne sanglante.

The Kangiqtugaapik photographer discusses some of his most striking images.

Kenojuak Ashevak Memorial Award longlister Couzyn van Heuvelen shares the layered meanings behind some of his most iconic works.

Explore the Kenojuak Ashevak Memorial Award–longlisted artist’s broad range and talents.

The Kenojuak Ashevak Memorial Award-longlisted artist tells the tales that underpin her work.

Kenojuak Ashevak Memorial Award longlister Kablusiak tells us about the special meaning each work has for them.

The KAMA 2023 longlister describes five pieces that illustrate her evolution as an artist.

A history of Nunavik printmaking through the generations, with illustrations by Jessica Malegana.

A Kenojuak Ashevak Memorial Award–longlisted multidisciplinary artist on crisis, collaboration and joy.

ᓯᓚᑦᑐᖅᓴᕐᕕᖕᒥ ᐃᓕᓐᓂᐊᖅᓯᒪᔫᒃ ᒪᐃᓚ ᓯᐅᓗᒃ ᔭᐃᑲᑉᓴᓐ ᐊᒻᒪ ᑯᕆᔅᑕ ᐅᓗᔪᒃ ᔭᑦᐅᐊᔅᓯᑭᒃᑯᒃ ᑕᐅᑐᖅᑰᖅᑕᒥᓂᒃ ᐅᖃᐅᓯᖃᖅᐳᒃ ᓴᖅᑭᑕᐅᒃᑲᓐᓂᓕᖅᑐᓂᒃ.