• Victoria Kakuktinniq

    For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.
  • Sandra Hollett

    For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.
  • Kelly Fraser

    For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.
  • Leevan Etok

    For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.
  • Tony Anguhalluq

    For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.
  • Julia Manoyok Ekpakohak

    For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.
  • Fanny Algaalaga Avatituq

    For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.
  • Saimaiyu Akesuk

    For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.
  • Sightlines and Surfaces

    Boundary pushing Vancouver-based painter Mark Igliolorte discusses his ongoing research into the Indigenous origins of the kayak, the beauty in shifting perspectives and collapsing the vast distance between coasts.
  • Boarder X

    Boarder X is the first exhibition to bring together the work of Inuit, First Nations and Métis artists who also surf, skate or snowboard, and it is a blockbuster. The opening saw 900 people cross the threshold of the Winnipeg Art Gallery.
  • Eye on the Arctic

    The IAQ is pleased to present this portfolio—a look at Inuit photography today—with some of the most notable artists working across the North.
  • Astral Bodies

    Astral Bodies (2016) at the Mercer Union in Toronto, allows viewers to speculate what the otherworldly may hold through the works of five women whose individual practices address real or imagined spaces beyond physical realms.
  • Change Makers

    What, or rather who, is a change maker? This is the central question that lingered for me after visiting Change Makers at the Art Gallery of Mississauga, which featured works by seven Indigenous artists working across North America and Europe. Given the gallery’s newly-implemented mandate to incorporate “diverse Indigenous perspectives within exhibitions and programming,” the answer seems implied but was not fully articulated. Read More
  • Angry Inuk

    The seal hunt is a delicate subject for Newfoundland and Labradorians. Alethea Arnaquq-Baril’s Angry Inuk takes on anti-sealing narratives to examine what the hunt represents for Canada’s Inuit.
  • Floe Edge

    Review of Floe Edge (2016) at the AXENÉO7 Gallery in Gatineau, QC. The packed exhibition hosted works from Tim Pitsiulak, Mona Netser, Nicole Camphaug, Lavinia van Heuvelen, Mathew Nuqingaq and more.
  • Listening for Sedna

    ArtCOP21: a global program of exhibitions, installations and more that emphasize the interrelatedness of climate and culture. Can art communicate the human effects of climate change at a deeper level than facts and figures alone?
  • Rocks, Stones and Dust

    Rocks, Stones and Dust brings together work by sixteen artists to reimagine human relationships to rocks, encouraging a reevaluation of our understanding of rocks as stagnant objects.
  • Cold Dream

    Manumie’s depiction of human interactions with both the natural and the spiritual worlds melds oral stories with imaginative, often surreal forms that give a sense of the complex interactions of life in the North.